The Hushan Sports Park Swimming Center in Jiangshan, China, designed by LYCS Architecture, introduces the city’s first professional-grade facility capable of hosting national Class B swimming competitions. With a floor area of 14,244 sqm, the project integrates a competition pool and a training pool, serving both professional events and daily public use. Located at the foot of Hushan (Tiger Mountain) and facing Jiangshan Port, the center forms part of a broader sports infrastructure that includes a 4,000-seat gymnasium and a 3,000-seat stadium. Together, these elements establish a ‘one stadium, two arenas’ system that positions Jiangshan as the first county-level city in Quzhou to achieve this benchmark in public sports development.

The design takes inspiration from the city’s cultural and geographic context, using the theme of ‘river and mountain’ to inform its architectural language. The form responds to the surrounding terrain with fluid, undulating surfaces, while its spatial program combines competition facilities with civic functions. The preserved base includes a lobby, auditorium, and rooftop garden, reinforcing the building’s role as a public anchor. The center houses two 50-meter pools: an eight-lane competition pool and a six-lane training pool, each with a depth of two meters. Circulation is organized through a dual-ground-level system, separating athletes and spectators during daily use and further dividing audiences, athletes, media, and VIPs during competitions. This approach optimizes operational efficiency and user experience.

all images by Shan-Jian images unless stated otherwise

Parametric Facade Defines Hushan Sports Park Swimming Center

The building’s massing avoids symmetrical composition, instead employing transitions between horizontal, sloped, and vertical surfaces. A continuous roof structure links the two primary halls, creating a semi-open interstitial space that functions as a public threshold. The main spectator entrance is marked by an inward-folding roof form and elevated platform, emphasizing the arrival sequence and expanding opportunities for public gathering. Externally, the facade is composed of 2,943 uniquely fabricated metal panels arranged in a ‘scaly’ system. Each folded plate interacts with light and shadow to produce a dynamic surface, referencing flowing water and mountainous terrain. Parametric modeling guided the design and fabrication process, enabling digital-to-construction workflows from geometry coding to modular on-site assembly.

Inside, the exposed roof trusses span up to 48 meters, expressing structural logic and scale. Walls and ceilings use modular finishes, colored metal panels, and perforated surfaces to create a functional yet identifiable environment. Retractable partitions allow spatial flexibility, supporting both competition requirements and community activities. The design team at LYCS Architecture considers the project as both a sports facility and a civic space. By integrating competition infrastructure, educational amenities, and public functions, the swimming center establishes a framework for multifunctional development in mid-sized cities. Its architectural expression aligns closely with the surrounding landscape while addressing contemporary demands for adaptability, efficiency, and cultural resonance.

Hushan Sports Park Swimming Center introduces Jiangshan’s first national-standard swimming facility

the architectural form takes inspiration from the themes of river and mountain

fluid and undulating surfaces respond to the surrounding terrain

folded plates catch light and shadow, recalling water and terrain

the building massing avoids symmetry, favoring dynamic transitions

the inward-folding roof highlights the main spectator entrance

the center houses both a competition pool and a training pool | image by Zhang Jianjun

the competition pool measures 50 meters with eight lanes

dual-ground-level circulation separates athletes and spectators | image by LYCS Architecture

the swimming pool area features a modular ‘pixelated’ wall surface

a continuous roof structure links the two main halls

the scale-like roof illuminates at night atop the curtain wall

project info:

name: Hushan Sports Park Swimming Center
architect: LYCS Architecture | @lycsarchitecture
location: Jiangshan, China

photographer: Shan-Jian images, Zhang Jianjun, LYCS Architecture

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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LYCS Architecture designs the campus for Quzhou No.6 Experimental School, located on Changshan Road in Quzhou’s High-Speed Rail New Town. Quzhou No.6 Experimental School spans approximately 67,500 sqm and comprises facilities for a 36-class primary school and an 18-class middle school. The project addresses evolving educational needs by introducing an open and adaptable layout.

Traditional school campuses are typically composed of plazas, courtyards, and circulation roads with clearly defined boundaries. In contrast, the design of this campus seeks to accommodate the spatial demands of contemporary educational models, which emphasize interaction, exploration, and flexibility over static classroom instruction. The architectural response aims to create an environment that integrates various zones of activity and supports different modes of learning.

all images by LYCS Architecture

Quzhou No.6 Experimental School organizes layered spaces

The design team at LYCS Architecture organizes the campus along a west-to-east axis and employs a spatial concept referred to as the ‘Tree of Growth.’ In this framework, teaching spaces represent the roots, transitional or hybrid spaces form the trunk, and innovation spaces make up the canopy. This conceptual layering informs the distribution and function of built elements across the site. Public and semi-public spaces are distributed at multiple scales, including pocket parks near classrooms, alcoves at corridor ends, and larger shared facilities for cultural and athletic use. These zones are designed to correspond with different periods of the school day, supporting informal interactions, transitions between activities, and larger gatherings.

The project introduces a primary circulation route conceptualized as a ‘campus street,’ which serves as the main organizing spine. A winding main street running south to north connects key programmatic areas, educational, cultural, and communal. This path is supplemented by a network of secondary routes extending east to west, navigating changes in elevation and linking elements such as sunken gardens, semi-enclosed courtyards, and raised walkways. This circulation system not only facilitates movement but also introduces spatial variety along the way. Facades, vegetation, and structural elements are positioned to create shifting visual experiences. The layout promotes unplanned interactions and varied spatial encounters as part of the daily routine.

Quzhou No.6 Experimental School spans 67,500 sqm in Quzhou’s High-Speed Rail New Town

design composes interplay of solids and voids, color, and form

The academic zone comprises two ‘E’-shaped building clusters aligned along one side of the main street. These clusters feature articulated gable-end facades that incorporate staircases, rest platforms, and open-air entry points. The design uses contrasts of material solidity and void, color, and form to emphasize the importance of these edge conditions. Above the main circulation, ‘sky pocket parks’ offer informal outdoor learning environments on upper levels. These spaces vary in layout and design, supporting casual use and encouraging interaction. They contribute to a spatial rhythm across the teaching blocks: terminal space, internal corridor, and open rooftop park. The floor plates are staggered to create semi-open, transitional spaces where students can engage in activities such as discussion, informal performances, or small group work. These ‘grey zones’ are designed to serve as extensions of the classroom, allowing for diverse modes of use.

Opposite the academic zone, the Cultural and Sports Center consists of four distinct volumes positioned across a landscaped slope. These buildings vary in geometry and function, supporting a range of activities in a non-linear configuration. The design addresses the site’s elevation changes through terracing, integrating outdoor play and activity zones within the natural topography. A stepped plaza known as the ‘Grand Steps’ functions as a transitional space between the sports field and indoor cultural facilities. In addition to facilitating daily circulation and events such as flag-raising ceremonies, this area is designed to accommodate flexible use, including group reading, small performances, and informal exercise.

facilities accommodate a 36-class primary school and an 18-class middle school

Quzhou No.6 Experimental School reconsiders the spatial organization of educational environments by incorporating adaptable layouts and multipurpose zones. Through a layered system of teaching, hybrid, and innovation spaces, linked by a continuous circulation spine and distributed open areas, the design supports both structured education and spontaneous activity. The campus layout by LYCS Architecture reflects an architectural response to changing pedagogical requirements and introduces spatial strategies intended to accommodate flexibility, interaction, and ecological integration.

the design responds to evolving educational needs with adaptable spatial planning

campus layout shifts away from rigid boundaries toward interconnected learning zones

public spaces of varying scale support transitions between learning and leisure

classroom clusters are integrated with pocket parks and alcove seating areas

changing elevations and textures create diverse spatial encounters across the site

‘sky pocket parks’ introduce informal learning spaces at upper levels

the main circulation path, or ‘campus street’, links academic, cultural, and communal zones

two ‘E’-shaped teaching blocks define the academic core along the main street

floor plate staggering creates semi-open zones for discussion and activity

project info:

name: Quzhou No.6 Experimental School
architect: LYCS Architecture | @lycsarchitecture
location: Kecheng, Quzhou, China

area: 67,500 sqm

client: Quzhou West District Investment Co., Ltd

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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LYCS Architecture has designed the Linhai Jiang Nan ZAN Store in Linhai, China, focusing on creating a people-centered and pleasant interior environment. The design prioritizes user behavior, developing spaces that support business and lifestyle goals efficiently, comfortably, flexibly, and aesthetically. Utilizing material labs, interdisciplinary research, and a parametric strategy, LYCS Architecture ensures the implementation of innovative designs. Sustainability is also a key aspect, guided by a WELL and LEED-certified team to achieve healthy and green interior spaces.

Located in Wengcheng, the ancient barbican of Linhai in Taizhou, Zhejiang Province, the Jiang Nan ZAN Store is part of a new cultural tourism IP program called ‘Picturesque and Poetic Jiangnan.’ This project, a collaboration between the Ancient Village Protection and Utilization Fund of Zhejiang Province and HXS Cultures, transformed a modest 200 sqm house into a retail store. The design integrates architecture, interior, and FF&E, blending historical and modern elements. The design concept, inspired by the ‘Wave,’ symbolizes the young generation’s dynamism. The abstract wave element contrasts sharply with the old house, creating a surreal art scene that reflects contemporary attitudes. This concept also echoes the real surging tide in the Lingjiang River outside Linhai City.

all images by Qingshan Wu

Linhai Jiang Nan ZAN Store by LYCS Revitalizes Ziyang Street

The design maximizes space utilization, addressing the challenge of high rental costs in the retail industry. By blurring the boundaries of walls, floors, and ceilings, the design transforms the original two-level space into a continuous whole, providing an immersive shopping experience. Exposed original wood structures and wall materials are complemented by a continuous white curved surface, concealing equipment and creating a clear, pure visual.

The interior features a cascade design with linear lights along the edges of the curved surface, enhancing the sense of speed and volume. Durable white terrazzo completes the ‘wave’ concept, dividing the store into eight distinct exhibition areas. Each area uses metal and wood veneering materials, with adjustable and flexible components to accommodate various goods and seasonal renewals. On the second floor, a cozy teahouse is accessible via a transition point designed for photography. Large floor-to-ceiling windows with black stainless steel frames brighten the space, contrasting with the old street’s historic charm. Jiang Nan ZAN stands out with its unique design, contributing to the revitalization of Ziyang Street and promoting new cultural and creative industries.

Jiang Nan ZAN is now open for business, offering products that celebrate the historical figures of Ziyang Street. The store designed by LYCS Architecture design firm serves as a modern cultural hub, bringing new energy to the historic area.

LYCS Architecture’s Linhai Jiang Nan ZAN Store focuses on a people-centered interior environment

the design prioritizes user behavior, creating efficient, comfortable, and flexible spaces

the project transformed a modest 200 sqm house into a retail store

the design integrates architecture and interior, blending historical and modern elements

the ‘Wave’ concept symbolizes the young generation’s dynamism

abstract wave elements create a surreal art scene reflecting contemporary attitudes

the design maximizes space utilization, addressing high rental costs in the retail industry

blurred boundaries of walls, floors, and ceilings create a continuous, immersive space

exposed wood structures and a white curved surface conceal equipment for a clear visual

cascade design with linear lights enhances speed and volume perception

a cozy teahouse on the second floor is accessible via a photography transition point

project info:

name: Linhai Jiang Nan ZAN Store
architect: LYCS Architecture | @lycsarchitecture

area: 200 sqm

location: Ziyang Street, Linhai, Taizhou, Zhejiang Province, China

photography: Qingshan Wu | @wuqingshan.archphotographer

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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image by WU qingshan

LYCS architecture designed the building’s façade with cascading lines like egrets spreading their wings. it adopts large-scale floor-to-ceiling glass directly facing the street outwards to meet the exhibition function of the sales center and highlighting its accommodating attitude. the design also contributes to embracing the water feature inwards to create a beautiful hidden new world.

image by WU qingshan

the horizontal overhanging eaves and the entrance canopy jointly form a pure and powerful line whose posture gives the great impression of egrets taking off and brings about the tenacious strength, incredible artistry, and noble spirit to this building. the soft curve and the arc chamfer are integrated with each other, and a progressive linear light belt is matched with the simple light and luxurious white gold color, creating a high-quality space atmosphere.

image by WU qingshan

the designers adopted ‘egrets back to the nest’ as their design concept and integrated design elements with the aim to evoke people’s feelings of happiness after returning home from an intense day. they placed more than 200 egrets above the sand table in the atrium flying in the ‘blue and clear sky’ and resonating with each other, which represents their implication of ‘returning home.’

image by WU qingshan

the architectural layout of the sales center is a symmetrical one in a rather flexible way. with a sand table area in its center, it connects the main entrance with that of the park alongside the short axis, creating open and fluid spatial effects. on the side of the table area, a spiral staircase acts as a significant visual element. it creates a moving line from the main hall to the negotiation area and enriches the spatial quality with the interlace of bronze and white color.

image by WU qingshan

the design continues the tone of the building, with large areas of white stone as the preferred material, partially matching with the metal colors and details. the architects tried to unify the building, the interior work, the furnishing, the architectural landscape, and the concepts together to provide a rich experience of multi-layered spaces. in this space, they wanted to eliminate separation and alienation and bring about the community identity and the sense of belonging of future residents.

image by WU qingshan

image by WU qingshan

image by WU qingshan

image by WU qingshan

image by WU qingshan

image by yifang photography

image by WU qingshan

project info:

name: KINCANG egrets waves sales center 

architects: LYCS architecture 

team: ruan hao, chen wenbin, lin dong, huang hao, zhang lei, gong zijun, zhuang longwei, ma guangyu, ji han, he yulou, zhang peng, lao zhedong, zhou miao, wang jianhong, xin xin, zhang qiuyan, zhao yifan, ke anran

location: shaoxing, zhejiang, china

area: 1030 sqm (11,086.82 sqft)

cooperator: hanjia design group co., ltd

facade consultant: shanghai cima facade group co., ltd

landscape design: NCD studio pte ltd

photographer: WU qingshan, yifang photography

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: yasmina karam | designboom

The post LYCS architecture designs sales center inspired by flying egrets in china appeared first on designboom | architecture & design magazine.

the inner courtyard
all images by wu qingshan & wang ning

at the beginning of the project, LYCS architecture had to face a challenge: how could the new renovation create a new living space experience in the face of three buildings of different ages? with this question in mind, the focal point of the design was conceived; ‘time and space corridors’ that connect the existing buildings of the three different historical eras in the late qing dynasty, early republic of china, post-liberation and reform and opening up. although the buildings have been somewhat ruined, they still retain their unique aesthetic and spatial functions.

in the 100-year-old siheyuan type building, the repair was made in accordance to the original appearance. the 60-year-old industrial building remnants were repaired, while local innovation was carried out around them, creating a contrast effect. as for the 20-year-old modern buildings, on the basis of retaining the original framework, substantial interventions were made to make it more fashionable. the entire building complex still holds the architectural beauty of each age, revealing different parts of chinese history. the design highlights the dramatic historical collision, so that people of different ages and backgrounds can develop a meaningful understanding of the built environment.

inner courtyard

the homestay has not been designed as an ordinary hotel, but based on users’ behavior, who want to experience the living space and participate in the dialogue between man and history. the rooms around the siheyuan courtyard allow imagination ‘under the sky’, with the original wooden beam and column structure echoing with nature and purity. the 60s guest rooms are 50% traditional + 50% modern, as the interior showcases the modern renovation, while preserving the atmosphere of the 60s building. the brick and concrete structure with historical texture was conserved, and the main living function was placed in the center of the guest room, giving the user a sense of sufficient space. the 90s guest rooms are 20% traditional + 80% modern, with the traditional elements of the 1990s selectively screened and transformed into partial details. a large number of wooden features create a modern and warm living atmosphere, accommodating users in pursuit of stylish and simple living experiences. 

public space

cafe

courtyard bookstore

courtyard cafe & dining room

courtyard stairs

courtyard multifunctional space

‘pawnshop memory’ details

90s guest room

courtyard guest room

project info:

name: linhai yufengli homestay
architecture office: LYCS architecture (architecture, interior, soft decoration and VI design)  
project team: ruan hao, zhan yuan, he yulou, zhang qiuyan, ji han, yang li, zhao yifan, fan xiaoxiao, wang haoran 
location: taizhou linhai, china
size: 3,298 sq.m
cooperative landscape design: zhang wanqing 

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: myrto katsikopoulou | designboom

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LYCS has divided the 28.000 square meters campus into 15 small-scale gabled volumes, each sized according to the kids’ age. a comfortable campus environment is formed by inner courtyards within and among these volumes. under the gabled roofs are the inside common areas particularly designed for gatherings and social activities.

the project consists of 27 classrooms for the primary school program and 12 classrooms for the kindergarten program, which form three U-shaped blocks and are distributed from south to north accordingly. the heights of these blocks increase incrementally to adapt different demand of scale to different departments, as well as to create a dynamic skyline.

to provide more intriguing activity space for students, the design offers massive rooftops suitable for characteristics of different student groups and specifics of each roof form, such as a playground, plantation, theatre, reading room, runway and leisure area.

each gable façade is designed uniquely in color, material and window forms, as to signify the different usage of each building. meanwhile, five structures are covered with deep red in order to create a different rhythm within a unified materiality.

project info:

name: hangzhou haishu school of future sci-tech city

location: hangzhou, china

area: 44.900 sqm

period: 2015-2016 (design); 2016-2017 (construction)

architects: LYCS architecture (architecture, interior and landscape design)

team: ruan hao, chen wenbin, shen bin, yin yong, wu shiyang, wang jipeng, xia wei, wu tao, deng hao, jiang leilei, li hui, chen zhilin, fan xiaoxiao, chen hangjun

participants: ge qiwen, zhou tong, yu zhou, song guohan

architect of record: zhejiang province institute of architecture design and research

photography: su shengliang, wu qingshan

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shanghai baoye center is the headquarters building of the baoye group and is part of the phase-two urban development scheme for the new central business district in hongqiao, a rapidly developing piece of western shanghai. the location of LYCS architecture’s project puts it at the center of the car, train, and airplane transportation. it is, in fact, the last building one sees before entering the busy hongqiao high-speed rail terminal from the south by bullet train, granting the project a significant urban presence.

the design here is maintained in cold grey hues, contracted by the natural colors of wood. the central atrium, composed of multiple glass triangles and very well lit by the sunlight, features a sculptural wooden stair as a centerpiece. 

the simple materials of soothing colors are accompanied by the glass ceilings mapping the pipeline layout by the hidden LED lighting. the overall impression the center gives is a thoughtful combination of technologies and design. 

project info:

name: shanghai baoye center interior

location: shanghai hongqiao cbd, china

area: 27,394 sqm

period: design 2012-2016, competition 2017 (architecture), 2018(interior)

interior design: LYCS architecture

architecture design: LYCS architecture (leading architect), zj baoye architecture design

photography: wu qingshan (interior), he lian (interior), su shengliang (architecture)

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: maria erman | designboom

The post LYCS architecture designs a headquarters for baoye group in shanghai appeared first on designboom | architecture & design magazine.

all images © wu qingshan

in order to unify the overall atmosphere of the surrounding environment, a large number of buildings have restored the original appearance of the building, retaining and utilizing the relationship between building blocks and the existing roof structure. after the selective removal of the original wall, a brand-new space that is full of visual tension has been created. the sculptural ‘black box’ at the entrance to the bar, connects to the interior and the exterior. it is not only a directional sculpture but also conveys the design idea which is combing and contrasting old and new, past time and present days.

the bar lounge area to create a space for guests to communicate in a dynamic space — the modern interior decoration highly contrasts with the antique buildings. the digitally designed brass three-dimensional grid structure runs through the room and connects the various spaces of the bar together. the extended bar, the curvilinear suspended ceiling, and the starry light create different visual sensations and guide people to explore each corner one by one.

LYCS architecture’s design for 2100 club deliberately reduced selection of the typical furniture and finishes that used in a theme bar. only in the transition point of the space was equipped with the furniture and finishes that related to the blockchain.

the hallway is covered with black stainless steel and the hidden light strips spaced from the ground to the top surface brightening the space. the strong contrast between black and light creates a virtual futuristic sense, stretching the narrow hallway horizontally and creating inward guidelines. the staircase that leads people to the second floor, which is made of a copper-colored stainless steel façade and a warm wood-colored ladder, is just right to warm up the space.

the overall space on the second floor is relatively more private and introduces the natural light into the space creating a more intimate and warm atmosphere. in order to guarantee the privacy, the designer maximized the opening of the windows on the two sides of the sloping roof. when sunlight is poured into the room, the greenery outside of the window was fully collected.

project info:

location: hangzhou, china

size: 400 sqm

interior design: LYCS architecture

project team: ruan hao, he yulou, ji han, fan xiaoxiao, peng shijie participants: chen zhilin, ni mohan, zhang yicheng

project period: design+construction 2017-2018

completion: 2018

images: wu qingshan

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: maria erman | designboom

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the new headquarters is located in hangzhou’s binjiang district

the previously existing building was a 50m by 50m embroidery-manufacturing warehouse, completed in 2003. characterized by the long spatial depth and rigid column grid, the conventional factory layout makes the interior under-lit and poorly ventilated, which hurts the versatility of the interior. the design proposes a total reconfiguration of the existing spatial order, maximizing the potential utility of the rigorous legacy structural grid. with the introduction of connecting tissues, LYCS aims to vitalize the linearity of the layout, achieving a versatile work space with plenty of light and air. 

the building was previously an industrial warehouse

to address the lack of natural light, three atriums are introduced to the center of the building mass. the atriums fit into long-span structural bays, making them column-free light courtyards. LYCS also used full-height glass curtains to bring more light to the desks, which is instrumental in bringing the lux level to a comfortable standard. the introduction of three atriums and interior glass curtains not only light up the building from the inside, but also establish a practical spatial order.

the main challenge was to curate an open spatial sequence suitable for mixed programs

when following the designed circulatory path across the building, one constantly experiences alternating height differences signified by layers of glass curtains, which is very much relatable to human scale. such spatial order is further accentuated by a comprehensive circulatory system of ramps, catwalks, and stairs that connect different programs across all levels. 

the project makes a good case in the context of contemporary chinese urbanization

the system cuts through a matrix of spaces/programs of diverse spatial qualities, serving not only as the traffic network but also as the apparatus of an architectural promenade, moderating the hierarchy of the established spatial matrix. it also activates the interior, generally encouraging creativity and exploration. full-height windows provide sufficient natural lighting along the perimeter. the angled and protruding window bays lighten the monolithic building mass, adding visual intrigue to the façade.

in china, adaptive reuse of outdated warehouses is widely practiced as an urban renewal method

throughout the interior, one constantly experiences alternating height differences

LYCS has also used full-height glass curtains around the atriums in order to bring more light into the offices

the architects worked to design a carefully planned circulatory path around the building

illustrated sectional diagram of the pathways and open courtyard spaces

floor plan / level 0

floor plan / level +1

a section of the building

designboom has received this project from our ‘DIY submissions‘ feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: lindsay duddy | designboom

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main entrance view

in dealing with these conditions, chinese based practice LYCS architecture discovered many breakthroughs within the design process. these attempts mainly are:

1. the breakthrough in site limitations

2. the breakthrough in the rule of ‘maximum office space availability’

3. the breakthrough in the standardized elevation design

south view

the L-shaped site has been filled in to its maximum extents as a perimeter block, then lofted up 4 stories to the building height limit while satisfying the desired program area of 13,000 m2. the perimeter is then pushed and manipulated to create three exterior-facing spaces and three distinct interior courtyards, defining the spatial structure of the project. the three main office volumes, designated A, B, and C, can function independently or in combination. the three pieces are linked by suspended bridges on the 2nd, 3rd and 4th floors. which generate hinged internal courtyards, to satisfy the internal circulation.

east entrance

the enclosing corridors also attract people into the central courtyard and then lead people entering three office buildings. the lift operation creates a depressive space, which creates a spatial sequence as open-depress-open again when people walking from outside via three lifted corridor into the center courtyard. this sequence will indicate people of a sense of entering and creating richer spatial experience in the limited site. in this way, form, circulation and the spatial sequence are highly unified.

courtyard view

the result of these operations, which bring the balance between massing and spatial sequence, between program and promenade experience, is an innovation to the rule of ‘maximum office space availability’. how to maximize the area of office space is the major principle of office design. here we are challenging this by proposing a new idea of ‘maximizing the quality of office space’, which is organizing outdoor landscape and green space integrated with indoor space, bringing more natural light and ventilation, and enhancing the user’s spatial experience, to create a creative working environment.

central courtyard

besides, the elevation design is a breakthrough to the standardized uniformed elevation of contemporary office building. under the ‘maximum office space availability’, office buildings nowadays are always stacked by standardized plan and elevation.

sunken courtyard

main entrance view

twilight view

northwest view

southwest view

under construction

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edited by: apostolos costarangos | designboom

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