Situated within the Maison des Champs Elysées hotel, Frivole is a new restaurant designed by Maison Malapert in the heart of Paris’s Golden Triangle, close to the Champs Elysées, Avenue Montaigne, and the Grand Palais. The project integrates the hotel’s discreet green courtyard with references to couture, creating an environment that bridges natural elements and the surrounding fashion context.

The interior is characterized by warm amber tones that shift in intensity throughout the day, subtle at midday and more vibrant in the evening, when the restaurant transitions into a bar and event space. Materials and fabrics, sourced from Parisian fashion houses, introduce a couture sensibility, while custom-designed furniture and controlled lighting contribute to a refined yet adaptable atmosphere.

all images by Nicolas Anetson

Warm Amber Interiors Define Maison Malapert’s Frivole design

The design team at Maison Malapert organizes the spatial layout around a central bench that anchors the room and faces the garden. To the right, a marble bar accommodates cocktail service, while the dining area extends toward more intimate seating options, including two tent-like niches inspired by Napoleonic references. A DJ station is integrated into the center of the space, supporting the venue’s dual role as restaurant and nightlife setting.

Architectural details include built-in mirrors, wood paneling, and integrated lighting that establish rhythm across the walls. At the rear, guests access the courtyard terrace, an enclosed garden outfitted with striped umbrellas and lattice patterns that echo the winter garden theme. Throughout, striped and patterned textiles extend the dialogue between indoor and outdoor references, reinforcing the connection to couture and the fashion district. Maison Malapert’s design balances function and atmosphere, creating a space where dining, leisure, and performance coexist within a setting that reflects both the history of the hotel and the cultural identity of its surroundings.

dramatic sofa in the middle of the room

napoleonic tent

main room view

front cocktail bar view

backlighting mirrors on the walls

view of the tent

large bar view

hidden garden terrace

terrace detail

project info:

name: Restaurant Frivole – Paris

designer Maison Malapert | @michael_malapert

location: Paris, France

photographer: Nicolas Anetson | @nicolasanetson

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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The Terminal BTG Pactual at Guarulhos International Airport in São Paulo is the first exclusive airport terminal in Latin America. Developed by Perkins&Will São Paulo with interiors by Pascali Semerdjian Arquitetos, the project combines architectural and interior strategies that balance efficiency, comfort, and environmental integration. The building is defined by inverted roofs that evoke the geometry of open wings, symbolizing flight while providing practical structural and environmental benefits. These roofs rest on a double-height framework of metal, wood, and glass, balancing transparency with solidity. Large window surfaces bring in natural light and maintain continuous visual connections to the sky, while a solid base grounds the structure and incorporates the main circulation, drop-off, and operational areas.

A central garden organizes the terminal’s interior and functions as both a circulation divider and a biophilic feature. It links the check-in lounge with boarding and arrival areas, while introducing native Brazilian species such as sibipiruna, white ipê, and brazilwood. These choices emphasize ecological value, respect biodiversity, and comply with aviation safety standards by avoiding species that attract birds. This strategy allows the building to operate as a functional terminal while simultaneously reinforcing its connection with the local environment.

all images by Fran Parente

Custom Interiors and Furniture decorate Terminal BTG Pactual

For the interior, studio Perkins&Will São Paulo collaborates with practice Pascali Semerdjian Arquitetos, creating a strategy that emphasizes scale, materiality, and continuity. While the double-height volumes express openness, half-height wooden panels introduce a more intimate scale in lounges and waiting areas. This balance ensures that large operational spaces retain a welcoming quality. Materials are central to the atmosphere. Wood surfaces are used extensively for warmth and consistency, while stone details add contrast and identity. The combination creates a sequence of spaces that are both operationally efficient and visually distinctive.

All furniture was custom-designed specifically for the terminal through artisanal processes. Carpentry techniques were employed to produce elements such as bars, shelving, sinks, private room fittings, armchairs, chaises, coffee tables, and lighting fixtures. These pieces establish a coherent dialogue with the architecture, reinforcing the integration between structure, interior, and furniture. Lighting plays both a technical and expressive role. Fixtures are positioned to emphasize the floating quality of the roof while meeting airport safety and operational standards. By day, natural light dominates through expansive glazing, while at night, controlled artificial illumination highlights the building’s architectural rhythm and creates a sense of continuity with its surroundings.

the BTG Pactual Terminal is the first exclusive airport terminal in Latin America

Airport Hub Aligns Architecture and Environment in São Paulo

The terminal accommodates a full range of processing, circulation, security, and hospitality functions, distributed across a continuous plan. Spaces include lounges, meeting rooms, and suites, which are designed to support both privacy and efficiency. The layout organizes these programs with circulation flows, ensuring clarity and comfort for travelers.

Through the collaboration of Perkins&Will and Pascali Semerdjian Arquitetos, the Terminal BTG Pactual reinterprets the conventional air travel environment. By combining symbolic form, biophilic strategies, tailored interiors, and operational precision, the project establishes a landmark in Latin American aviation design, aligning functionality with architectural and environmental intent.

the building’s form is shaped by inverted, wing-like roofs

a double-height structure frames the terminal with metal, wood, and glass

large window surfaces maximize natural light

interior spaces maintain clear visual connections to the sky

project info:

name: Terminal BTG Pactual
architect: Perkins&Will | @perkinswill_br

interior designer: Pascali Semerdjian Arquitetos | @pascalisemerdjian

location: São Paulo, Brazil

photographer: Fran Parente | @franparente

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Shanghai-based SHAW Architecture & Design Studio – SHAWADS designed the interior of Local Fish Coffee in Quanzhou near the Thean Hou Temple, reflecting the maritime heritage of the region and referencing the sea goddess Thean Hou. Quanzhou, historically known as Zayton to Arab traders, was a key port along the Maritime Silk Roads. The 75 sqm café interior translates oceanic motifs and cultural memory into spatial design. The team used vernacular materials and handcraft techniques to create a dynamic, textured environment. A custom wall treated with mica powder and polished using methods inspired by Moroccan tadelakt produces a reflective surface resembling natural stone and water.

The building form incorporates a curved footprint that responds to the irregular site. The recessed entrance and curved glass curtain walls blur boundaries between interior and exterior. A central light well provides daylight, ventilation, and visual connection to the attic space, creating a layered, open atmosphere. Ground-level interventions include a small, beach-like sunken area with embedded shells and sculptural details referencing maritime history. Reclaimed ship wood is arranged organically, suggesting driftwood naturally deposited along a shoreline.

SHAWADS designs Local Fish Coffee near the Thean Hou Temple in Quanzhou | image by Local Fish Coffee

SHAWADS’ Local Fish Coffee Interior Design is Inspired by the Sea

The coffee bar is composed of three distinct materials: reclaimed wood, cast concrete, and glass, each reflecting different textures and forms. The concrete surfaces incorporate seashell fragments and terrazzo to evoke wave patterns and geological layering, while careful casting and hand-polishing emphasize materiality and craft. Suspended iron light rails, ceramic ‘wave lamps,’ and other custom elements introduce movement and light into the space, responding to the surrounding environment and historical context. Curved glass, exposed concrete, and shimmering mica surfaces create a balance between natural, industrial, and traditional influences.

The interior by SHAWADS studio integrates craftsmanship, material experimentation, and spatial layering to create a setting that references maritime heritage, ocean ecology, and regional identity, while maintaining functional spaces for coffee service and community gathering.

the café reflects the region’s maritime heritage and the sea goddess Thean Hou | image by Xu Xiaodong

luminous ocean pendants add some rough narrative to the poetic and restrained space | image by Xu Xiaodong

suspended iron light rails and ceramic ‘wave ceramic lamps’ introduce movement and light | image by Shu Yin

the interior covers 75 sqm, translating oceanic motifs into spatial design | image by Shu Yin

curved glass, exposed concrete, and shimmering mica balance natural and industrial elements | image by Shu Yin

concrete surfaces incorporate seashell fragments and terrazzo to suggest waves | image by Xu Xiaodong

reclaimed ship wood is arranged organically, resembling driftwood along a shore | image by Xu Xiaodong

the coffee bar combines reclaimed wood, cast concrete, and glass | image by Shu Yin

inside the glass shrine is an empty space with a flowing halo | image by Shu Yin

the halo forms an abstract atmosphere, and the feeling of a moment frozen in time | image by Local Fish Coffee

a recessed entrance and curved glass curtain walls merge interior and exterior spaces | images by Xu Xiaodong

entrance incorporates an exterior coffee signage with wind vane | image by Xu Xiaodong

project info:

name: Local Fish Coffee Thean Hou Temple – A spatial poem dedicated to the sea goddess ‘Thean Hou’
interior architect and interior designer: SHAW Architecture & Design Studio – SHAWADS

lead designer: Shu Yin Wu, Zhifeng (Shaw) Xu

on-site construction supervisor: Zhifeng (Shaw) Xu

soft décor: Hong Xuemei

double height space lighting installation, ceramic table design: envy envy

ceramic table co-ceramicist: Gao Yuhang

envy envy designer: Bu Jiaxin

bar area: SHAWADS

light well: SHAWADS

light well co-ceramicist: Qin Fei

client: Local Fish Coffee

location: Quanzhou, China

photographers: Xu Xiaodong, Shu Yin, the Watcher, Avartar

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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The September 2025 edition of Maison&Objet is set to present a new generation of designers, promising a bold and fresh perspective on the future of interiors and lifestyle. Starting parallel with Paris Design Week on September 4, the five day day event brings together a curated selection of studios and creators from varied backgrounds. A pivotal highlight is the Design District, a dynamic hub artfully directed by the acclaimed Hall Haus collective, explicitly dedicated to fostering these new voices. This collaboration sets the stage for a grand showcase of emerging talent, envisioned through the distinct lens of the collective.

image ©Marion Gomez | all images courtesy of Maison&Objet

HALL HAUS’ MANIFESTO FOR CREATIVE EXPLORATION

Since its inception in 1994, Maison&Objet has solidified its position as an indispensable barometer for the international decor, design, and lifestyle community. With two annual exhibitions and Paris Design Week in September, it consistently provides a platform for innovation and industry evolution. This edition‘s intensified focus on the Design District is profoundly strengthened by the input of Hall Haus.

The collective is taking the lead in reimagining the visual identity of the sector, aiming to foster new narratives within the design sphere. They draw direct inspiration from urban energy and sport aesthetics, translating it into dynamic graphics and clear, engaging signage that guides visitors through this exciting landscape. As part of this experience, Hall Haus also unveils a limited-edition furniture collection that reflects their signature blend of functionality, sustainable commitment, and cultural richness.

Mini Bench by Hall Haus

FLAGSHIP PROGRAMS PROPEL NEW DESIGN VOICES

Besides the reimagined visual identity by Hall Haus, the Design District shines with three impactful flagship programs – the Rising Talent Awards, Future On Stage, and the Factory spaces. These initiatives collectively propel the industry’s next wave of creativity, forming a robust ecosystem designed to foster fresh voices and groundbreaking ideas within Maison&Objet’s vision for the global design sphere.

The Rising Talent Awards turn their gaze to the German avant-garde, spotlighting a new generation with a clear nod to their nation’s rich Bauhaus and Werkbund roots. Visitors have the opportunity to discover a diverse spectrum of compelling work, ranging from groundbreaking explorations in biotech and 3D-printed materials to deeply sensitive and experimental approaches to design. The showcase also highlights creators who are redefining sustainability through resource-sharing and championing modular and circular design, alongside those crafting simple, intuitive solutions for everyday living.

Biocement by Friedrich Gerlach and Julia Huhnholz

For its 6th edition, Future On Stage continues to serve as a vital launchpad for young, creative, and committed entrepreneurs. An esteemed industry jury has carefully selected three compelling winners, each set to gain significant visibility and dedicated support within the Design District. Among them is Drobe (Oslo), founded by Milla Lack, revolutionizing urban travel with a suitcase that unfolds into a wardrobe. Next, Yüssée (Paris), a sensory brand by Yuan Yuan and Cédric Guennoc, captivates with tasting boxes inspired by the five senses and traditional Chinese seasons. Completing the trio is Hilo (Monaco), founded by Adeline Michelotti, who is redefining furniture with modular, drill-free solutions perfectly suited for contemporary urban living spaces.

Suitcase by Drobe

Finally, the dynamic Factory spaces, spread across several halls, underscore the vibrancy of creative entrepreneurship by showcasing over 40 newly launched brands. Visitors can explore diverse innovations, from themed areas dedicated to refined table & gourmet experiences to inventive playful gifting concepts. Building on a 15-year legacy,  Paris Design Week Factory extends its reach by offering six former participants a turnkey B2B space within the Villepinte exhibition center’s Design District, while the special spot reserved for ‘La Ville de Paris’ highlights local talents bearing the prestigious ‘Fabriqué à Paris’ label.

M&O Factory in September 2024 | image ©Anne-Emmanuelle Thion

image ©Katharina Meixner

Duality

M&O Factory in September 2024 | image ©Anne-Emmanuelle-Thion

project info: 

name: Design District

event: Maison&Objet | @maisonetobjet

artistic direction: Hall Haus | @hall.haus

location: Paris, France

dates: September 4-8, 2025

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Positioned at Chongqing’s Liberation Monument Pedestrian Street, the CURIEL CASA Flagship Store marks the Chinese expansion of the century-old Italian fashion house CURIEL. The project, led by Liang Architecture Studio and debuting in midsummer 2024, operates as both a commercial space and a spatial interpretation of the brand’s ethos, merging Italian heritage with the cultural and topographic context of Chongqing’s mountainous landscape. The architectural concept establishes a dialogue between the refined codes of Milanese fashion and the geological narratives embedded in Chongqing’s built environment. Through a careful layering of symbolic references and material articulation, the project translates CURIEL’s philosophy of ‘feminine elegance and empowerment’ into a site-specific spatial framework. The result is an immersive sequence of architectural expressions that align brand identity with localized cultural cues.

Drawing upon the performative traditions of Italian opera, particularly the influence of Teatro alla Scala, the spatial layout follows an operatic progression, from overture to crescendo to climax. The entrance, central spiral staircase, exhibition zones, and the concluding salon are composed as sequential stages within a choreographed visitor journey. Architectural elements such as curtain-inspired drapy surfaces, theatrical lighting, and scenographic partitions reinforce this temporal and spatial structure, transforming spatial circulation into a narrative experience. Referencing Milan’s historic streetscapes and architectural vocabulary, the design integrates ornamental restraint with tectonic clarity. A deep understanding of ‘Made in Italy’ craftsmanship, particularly the tactile interplay of surface textures, structural precision, and detail-driven execution, guides the material choices. Within this framework, classical and contemporary elements are brought into balance, while Western and Eastern aesthetics are bridged through material and formal strategies.

all images by Hanmo (Hangzhou) Photography Co., LTD

Liang Architecture’s CURIEL CASA references Scenographic Spaces

From the exterior, the facade introduces the store’s narrative intent. A crimson architectural veil, designed through parametric modeling, forms a pleated surface reminiscent of an opera curtain. Made from anodized aluminum, the facade modulates shadow and reflection throughout the day, acting as both a visual overture and a spatial threshold. Inside, the spiral staircase serves as the structural and symbolic core, its tiered geometry softened by diffused light, evoking silk drapery in motion. The juxtaposition of this kinetic form with the surrounding stone elements sets up a dialogue between movement and mass, impermanence and solidity. Cultural localization continues in the VIP lounge, where parametric reinterpretation of traditional bamboo weaving techniques articulates partitions and wall surfaces. These interventions, constructed through a logic of digital deconstruction and rhythmic sequencing, embed the intangible heritage of Chongqing into the architectural language. As light interacts with the translucent bamboo matrix, the space evokes a calibrated sense of depth and material memory.

The design team at Liang Architecture Studio extends scenographic control to the selection of furnishings and environmental elements throughout the project. Referencing the iconography of La Traviata, the CURIEL Salon is designed as an immersive theatrical interior. Furniture arrangements, lighting compositions, and sensory cues, including scent, work together to construct a spatial mise-en-scène where historical narratives are recontextualized within contemporary retail experience. At a conceptual level, the flagship operates as a synthesis of cultural semiotics and spatial narrative. Through material symbolism, spatial sequencing, and local references, the architecture serves as a medium for brand expression and emotional engagement. It reconstructs the relationship between user, space, and identity, using architectural form to translate heritage into contemporary resonance.

CURIEL CASA lands in Chongqing’s Liberation Monument Street as its first flagship in China

the store merges Milanese design language with Chongqing’s mountainous urban context

a spiral staircase anchors the interior choreography of the visitor’s journey

curtain-like surfaces echo the stagecraft of Teatro alla Scala

the design draws upon operatic structure: overture, crescendo, climax

the architecture performs as much as it shelters, each element is part of a sequence

parametric pleats catch shadow and light, shifting with the time of day

tactile contrasts define the space such as stone, metal, bamboo, and silk-like forms

interior volumes balance softness and structure, lightness and mass

the project recontextualizes Milanese motifs through localized cultural expression

every detail, from furnishings to lighting, contributes to a scenographic whole

the CURIEL Salon evokes La Traviata, reimagined through a contemporary lens

architecture becomes a vessel for brand identity and emotional resonance

CURIEL CASA Chongqing blends spatial narrative with cultural continuity

project info:

name: CURIEL CASA Chongqing Flagship Store
architect: Liang Architecture Studio

location: No. 188, Minzu Road, Jiefangbei Pedestrian Street, Yuzhong District, Chongqing, China

area: 899 sqm

design director: Xu Liang

design team: Zhou Zesi, Yu Jianzhi, Ze Man, Hu Xinping, Lu Xin, Chen Weixin, Zhang Xuan, Xu Liang

construction company: Shanghai Fuji Construction Engineering Co., LTD

soft furnishing design: Hangzhou Liang Architecture Studio

photographer: Hanmo (Hangzhou) Photography Co., LTD

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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The ITSUMO Dessert Shop in Batam, Indonesia, designed by kousou inc. Jakarta, in collaboration with Svetlin Petrov, represents an architectural intervention within the typical ruko (shop-house) typology of the city’s commercial areas. The project introduces a spatial and material strategy that contrasts with the surrounding built environment, known for its utilitarian structures and rapid-development aesthetics. Located in a busy port city context, the shop responds to its surroundings with a minimalist white facade, offering a visual counterpoint to Batam’s typically colorful and artificial material palette. This exterior treatment signals a shift in spatial experience, moving toward interior calm and spatial restraint.

A key feature of the design is an interior courtyard, integrated to bring natural light and controlled exposure to rain into the building. The courtyard acts as both a spatial and environmental element, supporting ventilation and creating a sensory connection to weather conditions. Hidden rain gutters, placed between the facade wall and skylight, allow rainwater to enter the courtyard during storms while controlling drainage through a secondary concealed channel.

all images by Kung Photograph

interior design focuses on a monochromatic material palette

Internally, the design moves away from decorative complexity, focusing on a monochromatic material palette dominated by black. To prevent the dark tones from creating a somber atmosphere, the interior incorporates variations in texture and finish. Materials such as natural stone, stained wood, and metal contribute to a layered and tactile quality. Exposed gray concrete surfaces and brown-toned elements provide contrast and depth within the overall composition. The interior layout positions a central work and display area while preserving and exposing parts of the original building structure. This approach creates continuity between past and present states of the site. The decision to leave portions of the original structure visible reflects an interest in material honesty and site-specific adaptation.

The design process followed an iterative model, with continuous dialogue between the architects at kousou inc. Jakarta, client, and construction team. The project required extensive material research and sample production to achieve the desired tactile and visual effects, particularly for the facade textures and interior finishes.

minimalist white facade contrasts with Batam’s colorful commercial streetscape

kousou uses Architecture as a Tool for Urban Reframing

In contrast to ITSUMO’s other locations, the Batam project employs stricter geometry and sharper formal language. This decision aligns with the project’s goal of creating site-specific identities for each ITSUMO outlet while maintaining brand consistency.

The project positions architecture as a tool for spatial transformation within dense, function-driven urban contexts. Through restrained material selection, attention to detail, and integration of environmental factors such as rain and light, the ITSUMO Dessert Shop presents an example of how commercial spaces can adopt a design-driven approach to reframe user experience and architectural presence in a rapidly developing urban setting.

the shop reinterprets the ruko typology through spatial and material restraint

interior calm is signaled by a clean, monochromatic architectural language

an inward-facing courtyard brings daylight deep into the building’s core

controlled rainwater enters the space via concealed gutters at the skylight edge

black-dominated palette softened by textured surfaces and warm wood tones

the central courtyard doubles as a ventilation and sensory element

exposed concrete and stone elements reinforce the sense of material honesty

interior spaces use natural materials to build tactile depth and contrast

dark materials are balanced with natural light and reflective textures

the interior design emphasizes sharp geometry and linear clarity

the shop demonstrates how commercial design can elevate everyday contexts

project info:

name: Itsumo Dessert Shop, Batam
architect: kousou inc. Jakarta | @kousou_inc

lead architect: Svetlin Petrov | @svetlin__petrov

location: Kecamatan Lubuk Baja, Batam, Indonesia

area: 300 sqm

general constructing: Room Studio

engineering, consulting, lighting: ERRELUCE

photographer: Kung Photograph | @kungphotograph

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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YOD Group completes the newly opened dining hall for Grybova Hata (Mushroom House), a well-known restaurant located in the Ukrainian Carpathians. As the restaurant’s name suggests, mushrooms serve as both the culinary focus and a conceptual design theme for the interior.

The design reinterprets elements of traditional Ukrainian hospitality through a minimalist spatial language. Organic curves, a natural color palette, and the use of raw, eco-conscious materials define the aesthetic approach. The interior relies on just two primary materials: textured plaster and locally sourced travertine, quarried near Ternopil. These material choices establish both visual simplicity and contextual relevance.

all images by Andriy Bezuglov

recycled and bio-based materials Shape Grybova Hata’s Interior

Mushrooms influenced not only the visual narrative but also the material palette. Much of the furniture was fabricated in Ukraine, supporting local craftsmanship. The design process by YOD Group architectural practice prioritized sustainability, with several custom elements developed from recycled and bio-based materials. Lighting fixtures were created by designer Valerii Kuznetsov using recycled plastic and incorporate integrated handwashing stations. The hostess stand features natural chaga mushrooms, referencing the species’ tendency to grow on tree trunks in the region.

A notable feature within the space is a series of custom-made curtains produced from mushroom-based biotextile. Designed by Dasha Tsapenko, the installation includes six sculptural curtain pieces shaped like outerwear and sheepskin coats, along with one rectangular panel. These pieces were woven from coconut and hemp fibers, then inoculated with polypore mushroom spores and cultivated under controlled conditions for three weeks. The resulting mycelium formed an uneven, organic surface texture. Due to the biological growth process, each curtain remains unique, with varying densities and visible sections of the original netting.

YOD Group completes the new dining hall for Grybova Hata in the Ukrainian Carpathians

Grybova Hata’s Dining Layout is Rooted in Regional Food Culture

The dining layout organizes seating around three thematic islands, each referencing a different aspect of the local culinary tradition. These include an area focused on cheese, featuring the region’s characteristic cheese horses; a section dedicated to meat, showcasing traditional shovdary (smoked pork legs); and a spirits-focused zone highlighting herbal distillates made from regional botanicals.

‘This architecture organically grew within the existing restaurant space, just as a mushroom grows from its mycelium. It embodies the ideas of locality and organic development, rethinking traditional materials and celebrating the culinary heritage of the region,’ says Volodymyr Nepyyvoda, Managing Partner at YOD Group. 

the design takes inspiration from mushrooms, both as a menu focus and spatial concept

textured plaster and locally sourced travertine form the primary material palette

organic curves and a neutral color palette define the restaurant’s new interior

custom biotextile curtains by Dasha Tsapenko bring a living material element to the space

woven from coconut and hemp fibers, the curtains were inoculated with mushroom spores

internal courtyards and openings bring daylight and greenery into the space

polypore mycelium within the curtains’ form grew to create an uneven organic surface

the curtains are shaped like outerwear and sheepskin coats, plus one rectangular panel

the dining layout is organized around three thematic culinary islands

the use of raw, eco-conscious materials define the aesthetic approach

the architecture reflects ideas of locality, organic growth, and culinary heritage

project info:

name: Grybova Hata | @grybova_hata

architect: YOD Group | @yod.group

design team: Volodymyr Nepyivoda, Dmytro Bonesco, Denys Moseiko, Anna Klachun

lighting: Valerii Kuznetsov | @decorkuznetsov

mushroom-based biotextile: Dasha Tsapenko | @atelier__dashatsapenko

location: Polyanytsya village, Bukovel, Ivano-Frankivsk oblast, Ukraine

area: 230 sqm

photographer: Andrii Bezuglov | Andriy Bezuglov

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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Venus Lounge, designed by asap/ adam sokol architecture practice, reconfigures the interior of an existing space into a setting that fuses architecture, art, and astronomy. The design brief called for an unfamiliar interior landscape intended to challenge conventional expectations of lounge environments and to encourage diverse forms of social interaction.

At the center of the space, a 5-meter-wide copper representation of the planet Venus forms the primary visual element. Produced in collaboration with artist Paul Taylor, the installation utilizes the 19th-century copper printmaking technique known as photogravure. At this scale, it is considered one of the largest examples of this traditional copper printing method applied in an architectural context.

all images by Jonathan Leijonhufvud

undulating seating and copper installation shape Venus Lounge

The spatial organization by collaborative design practice asap/ follows an undulating layout, designed to maximize varied seating positions and avoid static or predetermined seating patterns. This approach was developed to support multiple modes of social engagement, fulfilling one of the client’s key functional requirements.

Material selection and lighting further reinforce the celestial theme while contributing to the overall atmosphere. The Venus Lounge integrates architecture, art, and astronomy into a cohesive interior.

the Venus Lounge interior fuses architecture, art, and astronomy

an undulating floor plan encourages varied seating arrangements

the spatial layout avoids static and predictable seating patterns

varied seat orientations invite flexible and informal gatherings

the interior was designed to create an unfamiliar and engaging landscape

the project reconfigures an existing space with a focus on experiential design

material selection and lighting reinforce the celestial and atmospheric theme

a 5-meter-wide copper plate depicting Venus anchors the space

the copper installation reflects changing light conditions throughout the day

the copper installation was produced using 19th-century photogravure techniques

artist Paul Taylor collaborated on the creation of the Venus centerpiece

the photogravure technique gives the Venus image intricate surface detail

finishes and textures complement the metallic focal element

the lounge functions as both a social setting and an immersive art installation

project info:

name: Venus Lounge

architect: asap/ adam sokol architecture practice | @asap_architecture

location: Beijing, China

area: 25 sqm

lead architect: Adam Sokol, AIA

principal architect: Boris Morin-Defoy

principal designer: Breanna Browning

custom furniture: Stitch NYC

copper engraving: Renaissance Press

photographer: Jonathan Leijonhufvud | @jonathan_leijonhufvud

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studio rei designs Nilkanth Ayurveda Clinic in India following a fluid spatial arrangement to optimize efficiency and create an open environment. The layout reflects Ayurveda’s holistic principles and alternative medicine practices by integrating natural materials and traditional craftsmanship. The clinic includes two consultation cabins, a waiting area, restrooms, a pharmacy, and a pantry, all arranged linearly to enhance spatial flow.

Partition walls are constructed using a woven paper veneer, combining a contemporary material with traditional weaving techniques. This approach allows for light and air circulation while maintaining privacy, reinforcing a connection to Ayurvedic practices. The meticulous cutting and interlacing of the paper veneer creates rhythmic patterns. The weaving process was selected for its methodical and deliberate execution, aligning with the principles of slow and mindful healing.

all images by The Space Tracing Company

studio rei incorporates Ayurveda’s essence into interior design

Terracotta lighting fixtures were incorporated as part of the material palette, emphasizing natural textures. Handcrafted by skilled potters, the fixtures were shaped and fired using traditional methods, highlighting craftsmanship that complements the clinic’s design philosophy.

The clinic’s material selection by studio rei’s design team prioritizes sustainability and simplicity, aligning with the client’s request for a minimal and monochromatic aesthetic. The project integrates tradition with modern elements, maintaining the essence of Ayurveda and the philosophy of slow, deliberate healing, while adapting to contemporary spatial requirements.

Nilkanth Ayurveda Clinic follows a fluid layout to enhance spatial efficiency

the clinic’s design integrates Ayurveda’s holistic principles with natural materials

woven paper veneer partitions blend contemporary materials with traditional weaving techniques

weaving techniques were chosen to align with the principles of slow, mindful healing

the partition walls allow light and air to circulate while maintaining privacy

a monochromatic material palette enhances the simplicity and calm of the space

a linear arrangement organizes consultation cabins, waiting areas, and support spaces

terracotta lighting fixtures highlight natural textures and traditional craftsmanship

paper veneer partitions create rhythmic patterns that contribute to visual harmony

the design prioritizes sustainability through locally sourced and handcrafted materials

the weaving process symbolizes patience and the deliberate nature of Ayurvedic healing

natural elements like terracotta and woven partitions define the interior ambiance

project info:

name: Nilkanth Ayurveda Clinic
architect: studio rei | @studio.rei_art

lead architects: Purvi Tank, Nishant Lunagariya

location: Ahmedabad, Gujarat, India

photographer: The Space Tracing Company | @the_space_tracing_company

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edited by: christina vergopoulou | designboom

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The A’ Design Award and Competition, renowned for highlighting and celebrating the best in global design, is now accepting early entries for its 2024-2025 edition. To inspire and encourage submissions, designboom presents 20 winning projects of the past years in the category of Architectural Design, including Interior and Exhibition Design, Landscape and Garden Design, as well as Engineering, Construction and Infrastructure Design. These projects exemplify the transformative power of recognition, with winners reaping rewards such as international exposure, networking opportunities, and prestigious accolades.

Are you ready to take your design career to the next level? Don’t wait until the last minute and submit your work here, as A’ Design Award opens early entries until June 30th.

Oriental Movie Metropolis Theater Exhibition Hall by Shanxing Gao, 2022
image credit: Wu qingshan studio

name: Oriental Movie Metropolis Theater

architect: Shanxing Gao

award: Platinum

category: Architecture, Building and Structure Design

choose from over 100 categories

With over 100 categories available, the A’ Design Award and Competition welcomes submissions from a wide range of design disciplines, including Architecture, Interior Design, Product Design, Fashion and Communication Design, and even more. Whether your passion lies in conceptualizing immersive interior spaces, crafting avant-garde fashion collections, or creating impactful graphic designs, there’s a category for everyone.

Woyun Platform Public Building by Archermit, 2024
image credit: Arch-Exist, Longmenshan Town, Woyun Platform

name: Woyun Platform

architect: Youcai Pan

award: Gold

category: Architecture, Building and Structure Design

seize the opportunity for extensive benefits

Winning the A’ Design Award (see here) comes with a multitude of benefits, including worldwide recognition, publication in top design magazines, participation in exhibitions, inclusion in world design rankings, and an invitation to the prestigious gala-night for networking. Additionally, winners receive a comprehensive winner’s kit, which includes the annual yearbook, a trophy, PR and publicity services, and more. 

Entries are judged by an international panel of esteemed scholars, professionals, and media members, ensuring an extensive methodology and fair evaluation for each and every submission. The deadline for early entries is June 30th, with the results announced to the public on May 1st. The lucky winners will be featured on designboom, further enhancing their visibility and recognition within the design community.

Pottery Art Gallery Mixed Use Architecture by You Young Jae, 2024
image credit: Namgoong Sun

name: Pottery Art Gallery

architect: Young Jae You

award: Gold

category: Architecture, Building and Structure Design

One Line Studio Architectural Office by Tim Politis, 2024
image credit: Jess Blackwell

name: One Line Studio

architect: Tim Politis

award: Gold

category: Architecture, Building and Structure Design

Strait Culture Art Center by Zong Wu Xu and Pekka Salminen, 2021 image credit: Yong Zhang, Marc Goodwin

name: Strait Culture

architects: Zong Wu Xu and Pekka Salminen

award: Platinum

category: Architecture, Building and Structure Design

The Ring Retail Development by Lead8, 2022
image credit: Lead8

name: The Ring

architect: Lead8

award: Platinum

category: Interior Space and Exhibition Design

Yibai Restaurant Interior Design by Axin Chen, 2024
image credit: Axin Chen

name: Yibai Restaurant

designer: Axin Chen

award: Silver

category: Interior Space and Exhibition Design

Dream Forest Elementary School Library by Hsiang Chen Lu, 2024
image credit: Hsiang Chen Lu

name: Dream Forest

designer: Hsiang Chen Lu

award: Silver

category: Interior Space and Exhibition Design

FoodX Poznan Restaurant by Modelina, 2024
image credit: Patryk Lewinski

name: FoodX Poznan

designer: Modelina

award: Bronze

category: Interior Space and Exhibition Design

Modelhane Office by Podna Architects, 2024 image credit: Kadir Asnaz

name: Modelhane

designer: Podna Architects

award: Silver

category: Interior Space and Exhibition Design

Skybow New Cultural Landmark by Xiaofeng Yin, 2024
image credit: Xiaofeng Yin

name: Skybow

designer: Xiaofeng Yin

award: Silver

category: Landscape Planning and Garden Design

Benjakitti Forest Park by Arsomsilp and Turenscape, 2024
image credit: Sarakadee Magazine

name: Benjakitti

designer: Arsomsilp

award: Gold

category: Landscape Planning and Garden Design

Miscellaneous Woods Reception Center by Ya-Yuan Interior Design Service Co., 2024
image credit: Ya-Yuan Interior Design Service Co.

name: Miscellaneous Woods

architect: Cing Jing Lin

award: Bronze

category: Architecture, Building and Structure Design

Urban Re-Public Place Making by Aecom, 2024
image credit: Aecom

name: Urban Re-Public

designers: Aecom

award: Bronze

category: Urban Planning and Urban Design

Intertwine Transit Nexus by Miloni Shah, 2024 image credit: Miloni Shah

name: Intertwine

designer: Kama Muta

award: Bronze

category: Engineering, Construction and Infrastructure Design

Tibetan Thangka Art Museum by AND Studio, 2024
image credit: Arch-Exist Photography

name: Tibetan Thangka Art

architect: AND Studio

award: Silver

category: Architecture, Building and Structure Design

Zhengzhou Longhu Conference Center by Fei Hu, 2024
image credit: Fei Hu

name: Zhengzhou Longhu 

designer: Fei Hu

award: Silver

category: Interior Space and Exhibition Design

Jinbianruixiang Highrise Office Building by Zhubo Design, 2024
image credit: unknown

name: Jinbianruixiang Highrise

architect: Zhubo Design

award: Silver

category: Architecture, Building and Structure Design

Solar Skywalks Energetic Activation of Footbridges by Peter Kuczia, 2020
image credit: nomadd+

name: Solar Skywalks

architect: Peter Kuczia

award: Platinum

category: Architecture, Building and Structure Design

Shenzhen Art Museum New Venue and Library North Branch by KSP Engel and Zhubo Design, 2024
image credit: RAWVISION studio, Qiao Zhong

name: Shenzhen Art Museum

architects: KSP Engel and Zhubo Design

award: Platinum

category: Architecture, Building and Structure Design

The post 20 winning projects inspire early entry for A’ design award and competition appeared first on designboom | architecture & design magazine.